You know, when you really connect with the instrument and everything just comes out on an emotional level very naturally through your playing. That's, you know, a great night. And I think the reason I love touring so much is you're chasing that high around all the time, trying to have another good night.

  • -- Slash 斜线

你知道,当你和乐器真正接触时,一切都自然而然地通过你的演奏表现在情感层面上。你知道,那是一个美好的夜晚。我想我这么喜欢旅行的原因是你一直在追逐着那么高的高度,想再过一个美好的夜晚。

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I would advise my young colleagues, the composers of symphonies, to drop in sometimes at the kindergarten, too. It is there that it is decided whether there will be anybody to understand their works in twenty years' time.

我建议我的年轻同事,交响乐作曲家,有时也去幼儿园看看。就是在那里决定了二十年后是否会有人理解他们的作品。

The kind of acting I used to enjoy no longer exists because your prime consideration is the budget, running time, the cost - and whether they'll understand it in Milwaukee.

我以前喜欢的那种表演方式已经不存在了,因为你主要考虑的是预算、演出时间、成本——以及他们在密尔沃基是否理解这些。

Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.

我周围的一切都消逝了,作品仿佛从虚空中诞生。成熟的、生动的果实掉了下来。我的手已成为遥远意志的顺从工具。

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well.

写剧本,你从更少开始,所以对你的要求更高。就好像你不仅要写交响乐,还要发明乐器一样。