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Why write for the orchestra? For one thing it's a very challenging problem.

  • -- Elliott Cook Carter Jr 小艾略特·库克·卡特

为什么要为乐团写作?首先，这是一个非常具有挑战性的问题。

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Orchestra Challenging Problem

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I was a good sight reader and I could sing two or three of these jingles a day. An orchestra would come in for half an hour, and then the singers would come in and knock 'em out, and go on to the next one. I was the voice of Budweiser and Almond Joy.

我是个很会看东西的人，我一天能唱两三首这样的歌。管弦乐队会来半个小时，然后歌手们会进来把他们敲昏，然后继续下一个。我是百威和杏仁乐的代言人。

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Never bring the problem solving stage into the decision making stage. Otherwise, you surrender yourself to the problem rather than the solution.

永远不要把解决问题的阶段带入决策阶段。否则，你就会让自己屈服于问题而不是解决方案。

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One problem with ideas, however valid, is that they are static and impersonal, whereas a person is active and dynamic.

思想的一个问题是，不管多么有效，它们都是静态的、客观的，而人是活跃的、动态的。

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I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.

我对管弦乐队本身的声音不感兴趣。我想让它听起来像作曲家。

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I'm always interested in challenging myself and pushing and seeing how far I can go.

我总是对挑战自己、推动自己、看看自己能走多远感兴趣。

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Comedy and drama are both challenging to me.

喜剧和戏剧对我来说都是挑战。

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