The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process to product, and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments, but it should seem alive.

巨大的白色立方体现在阻碍而不是增强了艺术的节奏。它预先规划了观众的旅程，将重点从过程转移到产品，缺乏个性和开放性。这并不是说艺术应该只在破旧不堪、满目疮痍的环境中才能看到，而是它应该看起来充满活力。