I was pretty dead set against ever writing an academic novel. It's always been my view that there are already more than enough academic novels and that most of them aren't any good. Most of them are self-conscious and bitter, the work of people who want to settle grudges.

  • -- Richard Russo 理查德·罗素

我坚决反对写学术小说。我一直认为,学术小说已经够多了,而且大多数都不好。他们中的大多数人都是有自我意识的和痛苦的,他们的工作是那些想要解决怨恨的人的工作。

相关名言

There's an academic tradition called the 'Last Lecture.' Hypothetically, if you knew you were going to die and you had one last lecture, what would you say to your students? Well, for me, there's an elephant in the room. And the elephant in the room, for me, it wasn't hypothetical.

有一个学术传统叫做“最后一课”。假设,如果你知道自己就要死了,而你还有最后一堂课,你会对你的学生说什么?对我来说,房间里有一头大象。房间里的大象,对我来说,这不是假设。

Acting is such a personal thing, which is weird because at the same time it's not. It's for the consumption of other people. But in terms of creative outlets and expressing yourself, it's just the most extreme version of that that I've ever found.

演戏是一件很私人的事情,这很奇怪,因为它不是。这是给别人吃的。但就创造性的表达方式和表达自己而言,这是我所发现的最极端的版本。

How come you have enough time to go out and make other girls fall in love with you but you don’t have any time to pay attention to the girl who already is.

为什么你有足够的时间出去,让其他女孩爱上你,却没有时间去关注那个已经爱上你的女孩?

It is dark. You cannot see. Only the hint of stars out the broken window. And a voice as old as the Snake from the Garden whispers, 'I will hold your hand.

它是黑暗的。你不能看到。破碎的窗外只有星星的点点。一个像蛇一样古老的声音从花园里传来:“我将握住你的手。”

I think the death knell for any musician is getting a job that you like and pays enough that you just stay there forever.

我认为对任何一个音乐家来说,死亡的钟声就是找到一份你喜欢的工作,而且报酬足够让你永远待在那里。

You could mention my name in any hallway in any academic institution and you would have people foaming at the mouth.

你可以在任何学术机构的任何走廊上提到我的名字,你会让人流口水。

I have never felt at any point in my life, good or bad, any ill will ever from the man or woman on the street.

在我的一生中,我从来没有在任何时候感觉到过街上的男人或女人的任何善意或恶意。

Symbolism exists to adorn and enrich, not to create an artificial sense of profundity.

象征主义的存在是为了装饰和丰富,而不是创造一种人为的深奥感。