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Being able to improvise is the basis for creating all characters and situations, for everything to do with performing, really. And it's good therapy as well.

  • -- Christopher Lee Kattan 克里斯托弗·李·卡坦

能够即兴创作是创造所有角色和场景的基础，是所有与表演有关的东西的基础。这也是很好的治疗方法。

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I think the challenge is going out in front of a paying audience with absolutely nothing and trying to entertain them for two hours. Thankfully, I only think about that right before we go on, and then once we're out there, everything's fine.

我认为挑战在于，在付费观众面前，什么都不做，却想让他们开心两个小时。谢天谢地，我只是在我们继续之前才想到这个，然后一旦我们到了那里，一切就都好了。

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Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.

在舞台上，我做了所有我在现实生活中从未做过的事情，比如抨击那些让我发疯的人，或者在一长串银行排队中发疯。表演让我实现了我所有病态的幻想。

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Anything that loosens you up and makes you freer is good, because that's what acting and performing is all about - being free. It gives you a better connection to the audience.

任何能让你放松、让你更自由的东西都是好的，因为这就是表演和表演的全部——自由。它能让你更好地与观众沟通。

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I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.

我从来没有想过我是否喜欢我扮演的角色。我更关注他们行为的细节，或者他们在某个场景中做什么。

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The more you understand me, the less characters I can play.

你越了解我，我能扮演的角色就越少。

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Perhaps too much of everything is as bad as too little.

也许每件事太多和太少一样糟糕。

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