Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.

  • -- Edward Hoagland 爱德华·霍格兰

在某种古老的传奇故事中,动物是程式化的角色——程式化是因为即使是最敏锐的动物,在扮演自己的角色时也没有多少回旋的余地。

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You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.

你总是在一天结束的时候带回来一点。我也总是把自己的一部分融入角色中。你会发现相似点,连接点,诸如此类的东西。但我不是一个演员,我的角色让我难以置信的困扰,我不能回来。

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

我必须习惯戴着面具,戴着假体,一边用这些东西表演,一边唱歌,通过程式化的动作表达自己,同时尽可能地让它人性化,让观众更接近幽灵的恐怖。

It was always understood that plants and animals, though completely contrasted in their higher representatives, approached each other very closely in their lower and simpler forms. But they were believed not to blend.

人们总是明白,植物和动物虽然在它们的高级代表中是完全对立的,但在它们的低级和较简单的形式中却非常接近对方。但他们被认为不会融合。

Making lasting gifts for animals in our estate plans is perhaps the single most important thing we can do to ensure animals have the strongest possible voice for their protection.

在我们的遗产规划中,为动物制作持久的礼物,或许是我们能做的最重要的一件事,以确保动物拥有保护它们的最强有力的声音。

I've never thought of my characters as being sad. On the contrary, they are full of life. They didn't choose tragedy. Tragedy chose them.

我从来没有想过我的角色是悲伤的。相反,他们充满活力。他们没有选择悲剧。悲剧了。